# 主筆、副筆

設計文字筆畫時需要按主副關係依序安排粗細（圖三）。主筆是視覺上較重要的筆畫，設計上需要較粗；而副筆是相對次要的筆畫，可以稍微減細。\ <br>

![圖一，一般來說最外圍、以及越長的筆畫會是漢字的主筆](/files/-Ll5cTri6lc8pBgS_PgZ)

![圖二，以「鷹」字為例，比較主副筆概念差異](/files/-Ll5cWIUjWxytU-sBEfW)

![圖三，「鷹」字的所有橫筆 按照主副筆原則依序分配粗細的結果](/files/-Ll5cZ1Ogmv04lK1e6Ab)

#### 關鍵字：[#骨架](/pocketbook/chinese-typeface/anatomy/structure.md) [#灰度](/pocketbook/chinese-typeface/anatomy/grayscale.md)

**延伸閱讀：**

[在字體武林尋找救贖與重生：臺灣道路體演化史](https://blog.justfont.com/2022/04/evolution-of-road-font/?utm_source=gitbook\&utm_medium=main-stroke\&utm_campaign=evolution-of-road-font\&utm_id=0715)

[抓蟲記：「虫」的視覺調整](https://medium.com/@AresaLin/抓蟲記-虫-的視覺調整-f8c235ac482c)

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